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The axe
I set off to my friends' house. On the way, a phone call from the Moldovans.
"What time you coming back?" "Er, well, not until tomorrow night." There is something in Ionache's voice. "OK--I will be there in half an hour."
Their immediate boss at the University has absconded and they won't be getting paid for the second week of the work they flew all the way from Chișinău to do, on the understanding there was six months' work. The replacement manager on the building project has brought his own men with him and has no need for the Moldovans.
In their room, they are carefully tapping out a card's numbers into the computer, buying tickets for the 3am coach to London. There's no work round here, especially not, I imagine, with the prejudice they'll face as soon as they open their mouths.
I can't do anything to help them. I can't let them stay for nothing while they seek work. But I am very sorry for them. They were decent, sociable, civilised, and--although I hesitate to use a once-innocent word which is now pressed into ideological service--hardworking; they don't deserve to be treated in such a heartless way. It's all very well talking about "precarity", the ugly English academic neologism for the way that workers at the bottom tier of Europe's labour supply survive, constantly on the edge of penury, at the mercy of our emasculated employment laws; but when you see its consequences in front of your own eyes, with people you quickly came to like, it's upsetting.
It's shameful that a University which never tires of trumpeting its "international links", can wash its hands of any centrally-controlled contracts with proper, humane terms and conditions that would have protected people like Andrei and Ionache. The University has millions for its endless physical expansion, but not enough to look after the people who put up the walls and put the windows in. I keep looking at the clock, imagining them on that bus to London; their dwindling money pouring away at a ruinous rate of exchange in a tiny room somewhere.
I arrive at my friends' house; the light is lambent, from a lamp hushed with a red cloth. Half-empty wine bottles, cushions, pint glasses, a coffee table stamped with a ringed history of hot drinks. L has that puzzled-looking amphetamined face, as though turning away from a bright light. They've been up all night watching porn, and after twenty minutes or so L is splaying her hands and moving them across the carpet, which I take as indicating that they'd rather resume that than continue with what must feel like dull conversation with me--straight, sober, bringing my worries into the sanctum.
I ring Kim and she starts talking about the poor pickings on the dating site. "It's just the illiteracy," she says. "You can't willingly fuck someone who spells please as 'plz', could you? It'd be a form of bestiality."
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looby, n.; pl. loobies. A lout; an awkward, stupid, clownish person
M / 61 / Bristol, "the most beautiful, interesting and distinguished city in England" -- John Betjeman [1961, source eludes me].
"Looby is a left-wing intellectual who is obsessed with a) women's clothes and b) tits." -- Joy of Bex.
WLTM literate woman, 40-65. Must have nice tits, a PhD, and an mdma factory in the shed, although the first on its own will do in the short term.
There are plenty of bastards who drink moderately. Of course, I don't consider them to be people. They are not our comrades.
Sergei Korovin, quoted in Pavel Krusanov, The Blue Book of the Alcoholic
I am here to change my life. I am here to force myself to change my life.
Chinese man I met during Freshers Week at Lancaster University, 2008
The more democratised art becomes, the more we recognise in it our own mediocrity.
James Meek
Tell me, why is it that even when we are enjoying music, for instance, or a beautiful evening, or a conversation in agreeable company, it all seems no more than a hint of some infinite felicity existing apart somewhere, rather than actual happiness – such, I mean, as we ourselves can really possess?
Turgenev, Fathers and Sons
I hate the iPod; I hate the idea that music is such a personal thing that you can just stick some earplugs in your ears and have an experience with music. Music is a social phenomenon.
Jeremy Wagner
La vie poetique has its pleasures, and readings--ideally a long way from home--are one of them. I can pretend to be George Szirtes.
George Szirtes
Using words well is a social virtue. Use 'fortuitous' once more to
mean 'fortunate' and you move an English word another step towards
the dustbin. If your mistake took hold, no-one who valued clarity
would be able to use the word again.
John Whale
One good thing about being a Marxist is that you don't have to pretend to like work.
Terry Eagleton, What Is A Novel?, Lancaster University, 1 Feb 2010
The working man is a fucking loser.
Mick, The Golden Lion, Lancaster, 21 Mar 2011
Rummage in my drawers
The Comfort of Strangers
23.1.16: Big clearout of the defunct and dormant and dull
16.1.19: Further pruning
If your comment box looks like this, I'm afraid I sometimes can't be bothered with all that palarver just to leave a comment.
63 mago
Another Angry Voice
the asshat lounge
Clutter From The Gutter
Crinklybee Defunct
Eryl Shields Ink
Exile on Pain Street
Fat Man On A Keyboard
gairnet provides: press of blll
George Szirtes ditto
Infomaniac [NSFW]
Laudator Temporis Acti
Leeds's Singing Organ-Grinder
On The Rocks
The Most Difficult Thing Ever
Quillette
Strange Flowers
Wonky Words
"Just sit still and listen" - woman to teenage girl at Elliott Carter weekend, London 2006
5:4Bristol New Music
Desiring Progress Collection of links only
NewMusicBox
The Rambler
Resonance FM
Sequenza 21
Sound and Music
Talking Musicology defunct, but retained
