Underwear

In a training room at the hospital, I am sitting through a long afternoon of assessing the load and keeping your back straight, the fire triangle, and how you've got to be nice to gay people.

In front of me, a cleaning supervisor who has been sent on a refresher course sneezes, for the third time, into his hand. As he withdraws it from his face, a string of mucus hammocks between his mouth and his hand. He puts his hand onto his thighs, redoubles his interest in the slide, and wipes the slime on his trousers.

Me and Mel go to Wells on a day out. The jolliest seats on the bus, at the front, on the top. In the cathedral, we see the second oldest working clock in the world, which every quarter of an hour has a jousting scene popping out like a cuckoo clock, in which the same wooden jouster has been knocked off his horse since at least 1340.

That was impressive, but the thing I remember most was Jesus in a 60s sculpture, styling his yew corset.

Near the bus station, we find a micropub run by a misandrist South African woman in her sixties who keeps telling me that I won't like various of her ciders, as "men don't like that." We sit on an old sofa in what was recently a living room, and I deliberately have the one she is warning me off. I tell her, truthfully, that it is delicious. I feel my head melting a bit. I fall asleep against Mel on the bus, before waking up and guiding her hand on to my hard cock.

We spend a rather intense night at her friend's house. The drink and dope is plentiful, as is the resentment. There's an eight-year age gap between her and her seventysomething husband, and the drunker she becomes, the more complaining and flirty she gets.

Over and over again, she says she wants a toy boy and not "this old man", who is sitting next to her. He takes this with resignation, coping with cruelty. I tell her that she's being horrible, "and it's no good looking at me Trish, 'cos I'm taken now." Mel repeatedly rescues the situation by getting us all up and dancing.

We go to bed and Mel kisses me forcibly, almost violently, pinning me down, which turns me on. I tell her I'm buying some things for her to wear, or to take off rather. (And browsing hosiery websites is enjoyable in itself). She sounds hesitant. "I don't know...I think I might feel ridiculous." Patience, looby.

In the Suffolk Arms on the last day before we're forced into house arrest again, it's crowded, and everyone's stoned and chatting. As the crowd thins out a bit, Mel delights me by standing up and dancing, and I join her immediately. It's probably illegal now. "Oh God, here go the lovebirds again," someone says, and the best track from a rock-based, white man's pub jukebox comes on -- Grandmaster Flash's The Message -- and I'm showing off in suburbia to my girlfriend, knowing most of the lyrics.

The new job started on Monday. I'm not sure. Everyone congratulates me; I can't see what for. Les Murray, reading at Lancaster Literature Festival decades ago, had a line "Any job's a comedown from where I'm from." I've lost a great deal. It's a divorce from the smackheads and alkies down the park, and Hayley, and whole days spent drinking. When I talk to others about its advantages I speak in a voice that isn't my own, in something of the same way as I do when I tell Mel that I love her, my one false note.

We have a family conference over the phone, in which we resolved that we are going to spend Christmas together, along with Fiona's very likeable ex, regardless of any new rules of association.