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Losing at home

To Manchester, for a concert by Philip Thomas, the UK's foremost advocate of the work of Christian Woolf. Not a single mobile phone or watch alarm went off, and there was not a single person fucking about in front of a dazzling blue screen during the entire concert.
The first work was "For prepared piano" from 1951. After the piece, Thomas picked out the various items inserted between and on the strings, which included several door stops. He said that he'd found them in a hardware shop in Leeds. "Why do you wanted fifty-three?" asked the ironmonger. "To put them in my piano." "Oh."

One of Wolff's interests was rejecting the pervasive idea, in Western music, of continuity. To effect this break, he wrote the piece (at the age of seventeen) in the normal linear left to right fashion, before rewriting it vertically, down to the bottom of the page, then across for an inch or two (he wasn't fond of bar lines), then across, then up, then across, then down, and so on.
The result didn't make for easy listening. Whereas another well-known formalist model, twelve-tone music, can produce beautiful, passionate and affecting music in a way which is still mysterious to this Romantic mind, I struggled a bit with the hesitating result of Wolff's experiment. But I think Ray Conniff is playing Manchester on Thursday.
The previous day, Trina had got the hump about not being invited, and was getting on my wick no end with her rampant insecurity, alleging that my story was but a cover for seeing another woman. "You're totally wrong," I said. "Well, not entirely right. I'm seeing Samantha and her sister. Right, come on, are we having that drink?"
As we walked to the pub, I said I'd forgotten my key to Kirsty's house, and told her to walk on ahead. Back in my house I rang Chris and explained the scenario, and asked her to ring me at 7pm. "You don't have to say anything -- just nod and go hmm. I'll explain later." I changed Chris's name on my phone to "Samantha".
We were sitting at our table in the pub when, on the dot, the call came in.
"Oh hiya -- yes, just checking up about tomorrow. So, is your sister still coming? Great. And, er... will she bring those shoes and that skirt, you know, from last time? Brilliant. OK, so my train gets in at 12.45 and so I'll meet you and Theresa in the Lass O'Gowrie and we'll take it from there then. Oh -- by the way, the cover story, just to make sure we're singing from the same hymn sheet, is that I'm going to a concert of way out piano music at the University of Manchester. Just in case anyone -- you know. Ok then, thanks Sam -- can't wait!"
I put the phone down. "Just a friend," I said. "You're horrible you are," she said, smiling. Two young punky-looking women came and sat at the next table. They were carrying a placard which said "A Dress Is Not a Yes" and were going on the local Reclaim The Night march. I chatted to them briefly, before going back to our table, where Trina, with her customary lack of generosity, said that they were only tolerating me "because I am a lot older than them." It's not even worth pursuing.
Back at mine, with us both in our separate beds, she texted me from hers, amorously. I replied
No, to be absolutely honest Trina. You've not shown your best side today. Putting the phone down on me, suspicious, needy, demanding. We really really must keep this as friends where it works very well. But as a girlfriend ... it'd be like going out with a 16-year-old. I want a simple, enjoyable life and as friends, we're definitely on. But as a relationship you are hard work.
My brother, a Hartlepool Utd fan, came up from Hertfordshire on Saturday for the match against Morecambe and me and the girls went along. I'm not a football fan by any stretch of the imagination but it was a cracking good afternoon out, despite losing at home to the team bottom in the league, and by an almost comical own goal.
My brother told us about a time he was watching Hartlepool on a particularly cold afternoon. His friend kept disappearing to say he was going to the pie shop, then returning with no evidence of a pie. After the sixth such visit, my brother said "Are you quite keen on those pies then?" "I'm not eating them," he said. "I'm wearing them." He was stuffing them up his jacket and in his pockets to keep warm.
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looby, n.; pl. loobies. A lout; an awkward, stupid, clownish person
M / 61 / Bristol, "the most beautiful, interesting and distinguished city in England" -- John Betjeman [1961, source eludes me].
"Looby is a left-wing intellectual who is obsessed with a) women's clothes and b) tits." -- Joy of Bex.
WLTM literate woman, 40-65. Must have nice tits, a PhD, and an mdma factory in the shed, although the first on its own will do in the short term.
There are plenty of bastards who drink moderately. Of course, I don't consider them to be people. They are not our comrades.
Sergei Korovin, quoted in Pavel Krusanov, The Blue Book of the Alcoholic
I am here to change my life. I am here to force myself to change my life.
Chinese man I met during Freshers Week at Lancaster University, 2008
The more democratised art becomes, the more we recognise in it our own mediocrity.
James Meek
Tell me, why is it that even when we are enjoying music, for instance, or a beautiful evening, or a conversation in agreeable company, it all seems no more than a hint of some infinite felicity existing apart somewhere, rather than actual happiness – such, I mean, as we ourselves can really possess?
Turgenev, Fathers and Sons
I hate the iPod; I hate the idea that music is such a personal thing that you can just stick some earplugs in your ears and have an experience with music. Music is a social phenomenon.
Jeremy Wagner
La vie poetique has its pleasures, and readings--ideally a long way from home--are one of them. I can pretend to be George Szirtes.
George Szirtes
Using words well is a social virtue. Use 'fortuitous' once more to
mean 'fortunate' and you move an English word another step towards
the dustbin. If your mistake took hold, no-one who valued clarity
would be able to use the word again.
John Whale
One good thing about being a Marxist is that you don't have to pretend to like work.
Terry Eagleton, What Is A Novel?, Lancaster University, 1 Feb 2010
The working man is a fucking loser.
Mick, The Golden Lion, Lancaster, 21 Mar 2011
Rummage in my drawers
The Comfort of Strangers
23.1.16: Big clearout of the defunct and dormant and dull
16.1.19: Further pruning
If your comment box looks like this, I'm afraid I sometimes can't be bothered with all that palarver just to leave a comment.
63 mago
Another Angry Voice
the asshat lounge
Clutter From The Gutter
Crinklybee Defunct
Exile on Pain Street
Fat Man On A Keyboard
gairnet provides: press of blll
George Szirtes ditto
Infomaniac [NSFW]
Laudator Temporis Acti
Leeds's Singing Organ-Grinder
On The Rocks
The Most Difficult Thing Ever nothing since April
Quillette
Strange Flowers
Wonky Words
"Just sit still and listen" - woman to teenage girl at Elliott Carter weekend, London 2006
5:4Bristol New Music
Desiring Progress Collection of links only
NewMusicBox
Purposeful Listening (né The Rambler)
Resonance FM
Sequenza 21
Sound and Music
Talking Musicology defunct, but retained
